Genius Rises from a Stable

Wednesday, 29 October 2014

John Keats

John Keats (1795–1821)
Vol. 41, pp. 874-882 of The Harvard Classics

(John Keats born Oct. 29, 1795.)
Though the son of a stable man, John Keats wrote the most exquisite and sublime poetry in our language. He was the friend of Shelley, Lord Byron, and the other literary leaders of the time - his genius recognized by all.


The Mermaid Tavern

SOULS of Poets dead and gone,
What Elysium have ye known,
Happy field or mossy cavern,
Choicer than the Mermaid Tavern?
Have ye tippled drink more fine
Than mine host’s Canary wine?

Or are fruits of Paradise
Sweeter than those dainty pies
Of Venison? O generous food!
Drest as though bold Robin Hood
Would, with his Maid Marian,
Sup and bowse from horn and can.

I have heard that on a day
Mine host’s sign-board flew away
Nobody knew whither, till
An astrologer’s old quill
To a sheepskin gave the story—
Said he saw you in your glory
Underneath a new-old Sign
Sipping beverage divine,
And pledging with contented smack
The Mermaid in the Zodiac!

Souls of Poets dead and gone,
What Elysium have ye known—
Happy field or mossy cavern—
Choicer than the Mermaid Tavern?


Happy Insensibility

IN a drear-nighted December,
Too happy, happy Tree,
Thy branches ne’er remember
The north cannot undo them
With a sleety whistle through them,
Nor frozen thawings glue them
From budding at the prime.

In a drear-nighted December,
Too happy, happy Brook,
Thy bubblings ne’er remember
Apollo’s summer look;
But with a sweet forgetting
They stay their crystal fretting,
Never, never petting
About the frozen time.

Ah would ’twere so with many
A gentle girl and boy!
But were there ever any
Writhed not at passe´d joy?
To know the change and feel it,
When there is none to heal it
Nor numbe´d sense to steal it—
Was never said in rhyme.


Ode to a Nightingale

MY heart aches, and a drowsy numbness pains
  My sense, as though of hemlock I had drunk,
Or emptied some dull opiate to the drains
  One minute past, and Lethe-wards had sunk:
’Tis not through envy of thy happy lot,
  But being too happy in thy happiness,—
    That thou, light-winge´d Dryad of the trees,
        In some melodious plot
  Of beechen green, and shadows numberless,
    Singest of summer in full-throated ease.

O, far a draught of vintage, that hath been
  Cool’d a long age in the deep-delve´d earth,
Tasting of Flora and the country green,
  Dance, and Proven¸al song, and sun-burnt mirth!
O for a beaker full of the warm South,
  Full of the true, the blushful Hippocrene,
    With beaded bubbles winking at the brim,
        And purple-staine´d mouth;
That I might drink, and leave the world unseen,
  And with thee fade away into the forest dim:

Fade far away, dissolve, and quite forget
  What thou among the leaves hast never known,
The weariness, the fever, and the fret
  Here, where men sit and hear each other groan;
Where palsy shakes a few, sad, last gray hairs,
  Where youth grows pale, and spectre-thin, and dies;
    Where but to think is to be full of sorrow
        And leaden-eyed despairs;
  Where Beauty cannot keep her lustrous eyes,
    Or new Love pine at them beyond to-morrow.

Away! away! for I will fly to thee,
  Not charioted by Bacchus and his pards,
But on the viewless wings of Poesy,
  Though the dull brain perplexes and retards:
Already with thee! tender is the night,
  And haply the Queen-Moon is on her throne,
    Cluster’d around by all her starry Fays;
        But here there is no light
  Save what from heaven is with the breezes blown
    Through verdurous glooms and winding mossy ways,

I cannot see what flowers are at my feet,
  Nor what soft incense hangs upon the boughs,
But, in embalme´d darkness, guess each sweet
  Wherewith the seasonable month endows
The grass, the thicket, and the fruit-tree wild;
  White hawthorn, and the pastoral eglantine;
    Fast fading violets cover’d up in leaves;
        And mid-May’s eldest child,
  The coming musk-rose, full of dewy wine,
    The murmurous haunt of flies on summer eves.

Darkling I listen; and for many a time
  I have been half in love with easeful Death,
Call’d him soft names in many a muse´d rhyme,
  To take into the air my quiet breath;
Now more than ever seems it rich to die,
  To cease upon the midnight with no pain,
    While thou art pouring forth thy soul abroad
        In such an ecstasy!
  Still wouldst thou sing, and I have ears in vain—
    To thy high requiem become a sod.

Thou wast not born for death, immortal Bird!
  No hungry generations tread thee down;
The voice I hear this passing night was heard
  In ancient days by emperor and clown:
Perhaps the self-same song that found a path
  Through the sad heart of Ruth, when, sick for home,
    She stood in tears amid the alien corn;
        The same that oft-times hath
  Charm’d magic casements, opening on the foam
    Of perilous seas, in faery lands forlorn.

Forlorn! the very word is like a bell
  To toll me back from thee to my sole self!
Adieu! the fancy cannot cheat so well
  As she is famed to do, deceiving elf.
Adieu! adieu! thy plaintive anthem fades
  Past the near meadows, over the still stream,
    Up the hill-side; and now ’tis buried deep
        In the next valley-glades:
  Was it a vision, or a waking dream?
    Fled is that music:—do I wake or sleep?


Ode on a Grecian Urn

THOU still unravish’d bride of quietness,
  Thou foster-child of Silence and slow Time,
Sylvan historian, who canst thus express
  A flowery tale more sweetly than our rhyme:
What leaf-fringed legend haunts about thy shape
  Of deities or mortals, or of both
    In Tempe or the dales of Arcady?
  What men or gods are these? What maidens loth?
What mad pursuit? What struggle to escape?
    What pipes and timbrels? What wild ecstasy?

Heard melodies are sweet, but those unheard
  Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear’d,
  Pipe to the spirit ditties of no tone:
Fair youth, beneath the trees, thou canst not leave
  Thy song, nor ever can those trees be bare;
    Bold Lover, never, never canst thou kiss,
Though winning near the goal—yet, do not grieve;
    She cannot fade, though thou hast not thy bliss,
  For ever wilt thou love, and she be fair!

Ah, happy, happy boughs! that cannot shed
  Your leaves, nor ever bid the Spring adieu;
And, happy melodist, unwearièd,
  For ever piping songs for ever new;
More happy love! more happy, happy love!
  For ever warm and still to be enjoy’d,
    For ever panting and for ever young;
All breathing human passion far above,
  That leaves a heart high-sorrowful and cloy’d,
    A burning forehead, and a parching tongue.

Who are these coming to the sacrifice?
  To what green altar, O mysterious priest,
Lead’st thou that heifer lowing at the skies,
  And all her silken flanks with garlands drest?
What little town by river or sea-shore,
  Or mountain-built with peaceful citadel,
    Is emptied of its folk, this pious morn?
And, little town, thy streets for evermore
  Will silent be; and not a soul, to tell
    Why thou art desolate, can e’er return.

O Attic shape! fair attitude! with brede
  Of marble men and maidens overwrought,
With forest branches and the trodden weed;
  Thou, silent form! dost tease us out of thought
As doth eternity. Cold Pastoral!
  When old age shall this generation waste,
    Thou shalt remain, in midst of other woe
  Than ours, a friend to man, to whom thou say’st,
‘Beauty is truth, truth beauty,—that is all
    Ye know on earth, and all ye need to know.’


Ode to Autumn

SEASON of mists and mellow fruitfulness,
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eaves run;
To bend with apples the moss’d cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease;
For Summer has o’erbrimm’d their clammy cells.

Who hath not seen Thee oft amid thy store?
Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
Thy hair soft-lifted by the winnowing wind;
Or on a half-reap’d furrow sound asleep,
Drowsed with the fume of poppies, while thy hook
Spares the next swath and all its twine´d flowers:
And sometimes like a gleaner thou dost keep
Steady thy laden head across a brook;
Or by a cider-press, with patient look,
Thou watchest the last oozings, hours by hours.

Where are the songs of Spring? Ay, where are they?
Think not of them, thou hast thy music too,
While barre´d clouds bloom the soft-dying day
And touch the stubble-plains with rosy hue;
Then in a wailful choir the small gnats mourn
Among the river-sallows, borne aloft
Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
Hedge-crickets sing, and now with treble soft
The redbreast whistles from a garden-croft;
And gathering swallows twitter in the skies.


Ode to Psyche

O GODDESS! hear these tuneless numbers, wrung
  By sweet enforcement and remembrance dear,
And pardon that thy secrets should be sung
    Even into thine own soft-conchèd ear:
Surely I dream’d to-day, or did I see
  The wingèd Psyche with awaken’d eyes?
I wander’d in a forest thoughtlessly,
  And, on the sudden, fainting with surprise,
Saw two fair creatures, couchèd side by side
  In deepest grass, beneath the whisp’ring roof
    Of leaves and trembled blossoms, where there ran
        A brooklet, scarce espied:
’Mid hush’d, cool-rooted flowers fragrant-eyed,
  Blue, silver-white, and budded Tyrian,
They lay calm-breathing on the bedded grass;
  Their arms embracèd, and their pinions too;
  Their lips touch’d not, but had not bade adieu,
As if disjoinèd by soft-handed slumber,
And ready still past kisses to outnumber
  At tender eye-dawn of aurorean love:
        The wingèd boy I knew;
  But who wast thou, O happy, happy dove?
        His Psyche true!

O latest-born and loveliest vision far
  Of all Olympus’ faded hierarchy!
Fairer than Phœbe’s sapphire-region’d star,
  Or Vesper, amorous glow-worm of the sky;
Fairer than these, though temple thou hast none,
        Nor altar heap’d with flowers;
Nor Virgin-choir to make delicious moan
        Upon the midnight hours;
No voice, no lute, no pipe, no incense sweet
  From chain-swung censer teeming;
No shrine, no grove, no oracle, no heat
  Of pale-mouth’d prophet dreaming.

O brightest! though too late for antique vows,
    Too, too late for the fond believing lyre,
When holy were the haunted forest boughs,
  Holy the air, the water, and the fire;
Yet even in these days so far retired
  From happy pieties, thy lucent fans,
  Fluttering among the faint Olympians,
I see, and sing, by my own eyes inspired.
So let me be thy choir, and make a moan
        Upon the midnight hours;
Thy voice, thy lute, thy pipe, thy incense sweet
  From swingèd censer teeming:
Thy shrine, thy grove, thy oracle, thy heat
  Of pale-mouth’d prophet dreaming.

Yes, I will be thy priest, and build a fane
  In some untrodden region of my mind,
Where branchèd thoughts, new grown with pleasant pain,
  Instead of pines shall murmur in the wind:
Far, far around shall those dark-cluster’d trees
  Fledge the wild-ridgèd mountains steep by steep;
And there by zephyrs, streams, and birds, and bees,
  The moss-lain Dryads shall be lull’d to sleep;
And in the midst of this wide quietness
A rosy sanctuary will I dress
With the wreath’d trellis of a working brain,
  With buds, and bells, and stars without a name,
With all the gardener Fancy e’er could feign,
  Who, breeding flowers, will never breed the same;
And there shall be for thee all soft delight
    That shadowy thought can win,
A bright torch, and a casement ope at night,
    To let the warm Love in!


Ode on Melancholy

NO, no! go not to Lethe, neither twist
  Wolf’s-bane, tight-rooted, for its poisonous wine;
Nor suffer thy pale forehead to be kist
  By nightshade, ruby grape of Proserpine;
Make not your rosary of yew-berries,
  Nor let the beetle, nor the death-moth be
    Your mournful Psyche, nor the downy owl
A partner in your sorrow’s mysteries;
  For shade to shade will come too drowsily,
    And drown the wakeful anguish of the soul.

But when the melancholy fit shall fall
  Sudden from heaven like a weeping cloud,
That fosters the droop-headed flowers all,
  And hides the green hill in an April shroud;
Then glut thy sorrow on a morning rose,
Or on the rainbow of the salt sand-wave,
  Or on the wealth of globèd peonies;
    Or if thy mistress some rich anger shows,
  Emprison her soft hand, and let her rave,
    And feed deep, deep upon her peerless eyes.

She dwells with Beauty—Beauty that must die;
  And Joy, whose hand is ever at his lips
Bidding adieu; and aching Pleasure nigh,
  Turning to poison while the bee-mouth sips:
Ay, in the very temple of Delight
  Veil’d Melancholy has her sovran shrine,
    Though seen of none save him whose strenuous tongue
Can burst Joy’s grape against his palate fine;
  His soul shall taste the sadness of her might,
    And be among her cloudy trophies hung.


 

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