Do What You Fear
May 25, 2020Emerson in 1878 |
Ralph Waldo Emerson.
(1803–1882). Essays and English Traits.
Vol. 5, pp. 121-131 of
The Harvard Classics
Emerson startled the
world by fearlessly declaring his beliefs. Such apparent paradoxes as
we find in his inspirational essay, "Heroism," makes him
the most stimulating yet profound thinker America has produced.
(Emerson born May
25, 1803.)
Essays
VII.
Heroism
1841
Paradise is under the
shadow of swords.
—Mahomet
IN the elder English
dramatists, and mainly in the plays of Beaumont and Fletcher, there
is a constant recognition of gentility, as if a noble behavior were
as easily marked in the society of their age as color is in our
American population. When any Rodrigo, Pedro or Valerio enters,
though he be a stranger, the duke or governor exclaims, “This is a
gentleman,” and proffers civilities without end; but all the rest
are slag and refuse. In harmony with this delight in personal
advantages there is in their plays a certain heroic cast of character
and dialogue,—as in Bonduca, Sophocles, the Mad Lover, the Double
Marriage,—wherein the speaker is so earnest and cordial and on such
deep grounds of character, that the dialogue, on the slightest
additional incident in the plot, rises naturally into poetry. Among
many texts take the following. The Roman Martius has conquered
Athens,—all but the invincible spirits of Sophocles, the duke of
Athens, and Dorigen, his wife. The beauty of the latter inflames
Martius, and he seeks to save her husband; but Sophocles will not ask
his life, although assured that a word will save him, and the
execution of both proceeds:—
Valerius. Bid
thy wife farewell.
Soph. No,
I will take no leave. My Dorigen,
Yonder, above, ’bout
Ariadne’s crown,
My spirit shall hover
for thee. Prithee, haste.
Dor. Stay,
Sophocles,—with this tie up my sight;
Let not soft nature so
transformed be,
And lose her gentler
sexed humanity,
To make me see my lord
bleed. So, ’t is well;
Never one object
underneath the sun
Will I behold before
my Sophocles:
Farewell; now teach
the Romans how to die.
Mar. Dost
know what ’t is to die?
Soph. Thou
dost not, Martius,
And, therefore, not
what ’t is to live; to die
Is to begin to live.
It is to end
An old, stale, weary
work and to commence
A newer and a better.
’T is to leave
Deceitful knaves for
the society
Of gods and goodness.
Thou thyself must part
At last from all thy
garlands, pleasures, triumphs,
And prove thy
fortitude what then ’t will do.
Val. But
art not grieved nor vexed to leave thy life thus?
Soph. Why
should I grieve or vex for being sent
To them I ever loved
best? Now I’ll kneel,
But with my back
toward thee: ’t is the last duty
This trunk can do the
gods.
Mar. Strike,
strike, Valerius,
Or Martius’ heart
will leap out at his mouth.
This is a man, a
woman. Kiss thy lord,
And live with all the
freedom you were wont.
O love! thou doubly
hast afflicted me
With virtue and with
beauty. Treacherous heart,
My hand shall cast
thee quick into my urn,
Ere thou transgress
this knot of piety.
Val. What
ails my brother?
Soph. Martius,
O Martius,
Thou now hast found a
way to conquer me.
Dor. O
star of Rome! what gratitude can speak
Fit words to follow
such a deed as this?
Mar. This
admirable duke, Valerius,
With his disdain of
fortune and of death,
Captived himself, has
captivated me,
And though my arm hath
ta’en his body here,
His soul hath
subjugated Martius’ soul.
By Romulus, he is all
soul, I think;
He hath no flesh, and
spirit cannot be gyved,
Then we have
vanquished nothing; he is free,
And Martius walks now
in captivity.
I do not readily remember any poem,
play, sermon, novel or oration that our press vents in the last few
years, which goes to the same tune. We have a great many flutes and
flageolets, but not often the sound of any fife. Yet Wordsworth’s
“Laodamia,” and the ode of “Dion,” and some sonnets, have a
certain noble music; and Scott will sometimes draw a stroke like the
portrait of Lord Evandale given by Balfour of Burley. Thomas Carlyle,
with his natural taste for what is manly and daring in character, has
suffered no heroic trait in his favorites to drop from his
biographical and historical pictures. Earlier, Robert Burns has given
us a song or two. In the Harleian Miscellanies there is an account of
the battle of Lutzen which deserves to be read. And Simon Ockley’s
History of the Saracens recounts the prodigies of individual valor,
with admiration all the more evident on the part of the narrator that
he seems to think that his place in Christian Oxford requires of him
some proper protestations of abhorrence. But if we explore the
literature of Heroism we shall quickly come to Plutarch, who is its
Doctor and historian. To him we owe the Brasidas, the Dion, the
Epaminondas, the Scipio of old, and I must think we are more deeply
indebted to him than to all the ancient writers. Each of his “Lives”
is a refutation to the despondency and cowardice of our religious and
political theorists. A wild courage, a stoicism not of the schools
but of the blood, shines in every anecdote, and has given that book
its immense fame.
We need books of this tart cathartic
virtue more than books of political science or of private economy.
Life is a festival only to the wise. Seen from the nook and
chimney-side of prudence, it wears a ragged and dangerous front. The
violations of the laws of nature by our predecessors and our
contemporaries are punished in us also. The disease and deformity
around us certify the infraction of natural, intellectual and moral
laws, and often violation on violation to breed such compound misery.
A lockjaw that bends a man’s head back to his heels; hydrophobia
that makes him bark at his wife and babes; insanity that makes him
eat grass; war, plague, cholera, famine, indicate a certain ferocity
in nature, which, as it had its inlet by human crime, must have its
outlet by human suffering. Unhappily almost no man exists who has not
in his own person become to some amount a stockholder in the sin, and
so made himself liable to a share in the expiation.
Our culture therefore must not omit
the arming of the man. Let him hear in season that he is born into
the state of war, and that the commonwealth and his own well-being
require that he should not go dancing in the weeds of peace, but
warned, self-collected and neither defying nor dreading the thunder,
let him take both reputation and life in his hand, and with perfect
urbanity dare the gibbet and the mob by the absolute truth of his
speech and the rectitude of his behavior.
Towards all this external evil the man
within the breast assumes a warlike attitude, and affirms his ability
to cope single-handed with the infinite army of enemies. To this
military attitude of the soul we give the name of Heroism. Its rudest
form is the contempt for safety and ease, which makes the
attractiveness of war. It is a self-trust which slights the
restraints of prudence, in the plenitude of its energy and power to
repair the harms it may suffer. The hero is a mind of such balance
that no disturbances can shake his will, but pleasantly and as it
were merrily he advances to his own music, alike in frightful alarms
and in the tipsy mirth of universal dissoluteness. There is somewhat
not philosophical in heroism; there is somewhat not holy in it; it
seems not to know that other souls are of one texture with it; it
hath pride; it is the extreme of individual nature. Nevertheless we
must profoundly revere it. There is somewhat in great actions which
does not allow us to go behind them. Heroism feels and never reasons,
and therefore is always right; and although a different breeding,
different religion and greater intellectual activity would have
modified or even reversed the particular action, yet for the hero
that thing he does is the highest deed, and is not open to the
censure of philosophers or divines. It is the avowal of the
unschooled man that he finds a quality in him that is negligent of
expense, of health, of life, of danger, of hatred, of reproach, and
that he knows that his will is higher and more excellent than all
actual and all possible antagonists.
Heroism works in contradiction to the
voice of mankind and in contradiction, for a time, to the voice of
the great and good. Heroism is an obedience to a secret impulse of an
individual’s character. Now to no other man can its wisdom appear
as it does to him, for every man must be supposed to see a little
farther on his own proper path than any one else. Therefore just and
wise men take umbrage at his act, until after some little time be
past: then they see it to be in unison with their acts. All prudent
men see that the action is clean contrary to a sensual prosperity;
for every heroic act measures itself by its contempt of some external
good. But it finds its own success at last, and then the prudent also
extol.
Self-trust is the essence of heroism.
It is the state of the soul at war, and its ultimate objects are the
last defiance of falsehood and wrong, and the power to bear all that
can be inflicted by evil agents. It speaks the truth and it is just.
It is generous, hospitable, temperate, scornful of petty calculations
and scornful of being scorned. It persists; it is of an undaunted
boldness and of a fortitude not to be wearied out. Its jest is the
littleness of common life. That false prudence which dotes on health
and wealth is the foil, the butt and merriment of heroism. Heroism,
like Plotinus, is almost ashamed of its body. What shall it say then
to the sugar-plums a cats’- cradles, to the toilet, compliments,
quarrels, cards and custard, which rack the wit of all human society?
What joys has kind nature provided for us dear creatures! There seems
to be no interval between greatness and meanness. When the spirit is
not master of the world, then it is its dupe. Yet the little man
takes the great hoax so innocently, works in it so headlong and
believing, is born red, and dies gray, arranging his toilet,
attending on his own health, laying traps for sweet food and strong
wine, setting his heart on a horse or a rifle, made happy with a
little gossip or a little praise, that the great soul cannot choose
but laugh at such earnest nonsense. “Indeed, these humble
considerations make me out of love with greatness. What a disgrace is
it to me to take note how many pairs of silk stockings thou hast,
namely, these and those that were the peach-colored ones; or to bear
the inventory of thy shirts, as one for superfluity, and one other
for use.”
Citizens, thinking after the laws of
arithmetic, consider the inconvenience of receiving strangers at
their fireside, reckon narrowly the loss of time and the unusual
display: the soul of a better quality thrusts back the unseasonable
economy into the vaults of life, and says, I will obey the God, and
the sacrifice and the fire he will provide. Ibn Hankal, the Arabian
geographer, describes a heroic extreme in the hospitality of Sogd, in
Bukharia. “When I was in Sogd I saw a great building, like a
palace, the gates of which were open and fixed back to the wall with
large nails. I asked the reason, and was told that the house had not
been shut, night or day, for a hundred years. Strangers may present
themselves at any hour and in whatever number; the master has amply
provided for reception of the men and their animals and is never
happier than when they tarry for some time. Nothing of the kind have
I seen in any other country.” The magnanimous know very well that
they who give time, or money, or shelter, to the stranger,—so it be
done for love and not for ostentation,—do, as it were, put God
under obligation to them, so perfect are the compensations of the
universe. In some way the time they seem to lose is redeemed and the
pains they seem to take remunerate themselves. These men fan the
flame of human love and raise the standard of civil virtue among
mankind. But hospitality must be for service and not for show, or it
pulls down the host. The brave soul rates itself too high to value
itself by the splendor of its table and draperies. It gives what it
hath, and all it hath, but its own majesty can lend a better grace to
bannocks and fair water than belong to city feasts.
The temperance of the hero proceeds
from the same wish to do no dishonor to the worthiness he has. But he
loves it for its elegancy, not for its austerity. It seems not worth
his while to be solemn and denounce with bitterness flesh-eating or
wine-drinking, the use of tobacco, or opium, or tea, or silk, or
gold. A great man scarcely knows how he dines, how he dresses, but
without railing or precision his living is natural and poetic. John
Eliot, the Indian Apostle, drank water, and said of wine, “It is a
noble, generous liquor and we should be humbly thankful for it, but,
as I remember, water was made before it.” Better still is the
temperance of King David, who poured out on the ground unto the Lord
the water which three of his warriors had brought him to drink, at
the peril of their lives.
It is told of Brutus, that when he
fell on his sword after the battle of Philippi, he quoted a line of
Euripides, “O Virtue! I have followed thee through life, and I find
thee at last but a shade.” I doubt not the hero is slandered by
this report. The heroic soul does not sell its justice and its
nobleness. It does not ask to dine nicely and to sleep warm. The
essence of greatness is the perception that virtue is enough. Poverty
is its ornament. Plenty does not need it, and can very well abide its
loss.
But that which takes my fancy most in
the heroic class, is the good-humor and hilarity they exhibit. It is
a height to which common duty can very well attain, to suffer and to
dare with solemnity. But these rare souls set opinion, success, and
life at so cheap a rate that they will not soothe their enemies by
petitions, or the show of sorrow, but wear their own habitual
greatness. Scipio, charged with peculation, refuses to do himself so
great a disgrace as to wait for justification, though he had the
scroll of his accounts in his hands, but tears it to pieces before
the tribunes. Socrates’ condemnation of himself to be maintained in
all honor in the Prytaneum, during his life, and Sir Thomas More’s
playfulness at the scaffold, are of the same strain. In Beaumont and
Fletcher’s “Sea Voyage,” Juletta tells the stout captain and
his company,—
Jul. Why,
slaves, ’t is in our power to hang ye.
Master.
Very likely,
’T is in our powers,
then, to be hanged, and scorn ye.
These replies are sound and whole. Sport is the
bloom and glow of a perfect health. The great will not condescend to
take any thing seriously; all must be as gay as the song of a canary,
though it were the building of cities or the eradication of old and
foolish churches and nations which have cumbered the earth long
thousands of years. Simple hearts put all the history and customs of
this world behind them, and play their own play in innocent defiance
of the Blue-Laws of the world; and such would appear, could we see
the human race assembled in vision, like little children frolicking
together, though to the eyes of mankind at large they wear a stately
and solemn garb of works and influences.
The interest these fine stories have
for us, the power of a romance over the boy who grasps the forbidden
book under his bench at school, our delight in the hero, is the main
fact to our purpose. All these great and transcendent properties are
ours. If we dilate in beholding the Greek energy, the Roman pride, it
is that we are already domesticating the same sentiment. Let us find
room for this great guest in our small houses. The first step of
worthiness will be to disabuse us of our superstitious associations
with places and times, with number and size. Why should these words,
Athenian, Roman, Asia and England, so tingle in the ear? Let us feel
that where the heart is, there the muses there the gods sojourn, and
not in any geography of fame. Massachusetts, Connecticut River and
Boston Bay you think paltry places, and the ear loves names of
foreign and classic topography. But here we are:—that is a great
fact, and, if we will tarry a little, we may come to learn that here
is best. See to it only that thyself is here,—and art and nature,
hope and dread, friends, angels and the Supreme Being shall not be
absent from the chamber where thou sittest. Epaminondas, brave and
affectionate, does not seem to us to need Olympus to die upon, nor
the Syrian sunshine. He lies very well where he is. The Jerseys were
handsome ground enough for Washington to tread, and London streets
for the feet of Milton. A great man illustrates his place, makes his
climate genial in the imagination of men, and its air the beloved
element of all delicate spirits. That country is the fairest which is
inhabited by the noblest minds. The pictures which fill the
imagination in reading the actions of Pericles, Xenophon, Columbus,
Bayard, Sidney, Hampden, teach us how needlessly mean our life is;
that we, by the depth of our living, should deck it with more than
regal or national splendor, and act on principles that should
interest man and nature in the length of our days.
We have seen or heard of many
extraordinary young men who never ripened, or whose performance in
actual life was not extraordinary. When we see their air and mien,
when we hear them speak of society, of books, of religion, we admire
theirs superiority; they seem to throw contempt on the whole state of
the world; their is the tone of a youthful giant who is sent to work
revolutions. But they enter an active profession and the forming
Colossus shrinks to the common size of man. The magic they used was
the ideal tendencies, which always makes the Actual ridiculous; but
the tough world has its revenge the moment they put their horses of
the sun to plough in its furrow. They found no example and no
companion, and their heart fainted. What then? The lesson they gave
in their first aspirations is yet true; and a better valor and a
purer truth shall one day execute their will and put the world to
shame. Or why should a woman liken herself to any historical woman,
and think, because Sappho, or Sévigné, or De Staël, or the
cloistered souls who have had genius and cultivation do not satisfy
the imagination and the serene Themis, none can,—certainly not she.
Why not? She has a new and unattempted problem to solve, perchance
that of the happiest nature that ever bloomed. Let the maiden, with
erect soul, walk serenely on her way, accept the hint of each new
experience, try in turn all the gifts God offers her that she may
learn the power and the charm that like a new dawn radiating of the
deep of space, her new-born being is. The fair girl who repels
interference by a decided and proud choice of influences, so careless
of pleasing, so wilful and lofty, inspires every beholder with
somewhat of her own nobleness. The silent heart encourages her; O
friend, never strike sail to a fear. Come into port greatly, or sail
with God the seas. Not in vain you live, for every passing eye is
cheered and refined by the vision.
The characteristic of genuine heroism,
is its persistency. All men have wandering impulses, fits and starts
of generosity. But when you have resolved to be great, abide by
yourself, and do not weakly try to reconcile yourself with the world.
The heroic cannot be the common, nor the common the heroic. Yet we
have the weakness to expect the sympathy of people in those actions
whose excellence is that they outrun sympathy and appeal to a tardy
justice. If you would serve your brother it is fit for you to serve
him, do not take back your words when you find that prudent people do
not commend you. Be true to your own act, and congratulate yourself
if you have done something strange and extravagant and broken the
monotony of a decorous age. It was a high counsel that I once heard
given to a young person, “Always do what you are afraid to do.” A
simple manly character need never make an apology, but should regard
its past action with the calmness of Phocion, when he admitted that
the event of the battle was happy, yet did not regret his dissuasion
from the battle.
There is no weakness or exposure for
which we cannot find consolation in the thought,—this is a part of
my constitution, part of my relation and office to my
fellow-creature. Has nature covenanted with me that I should never
appear to disadvantage, never make a ridiculous figure? Let us be
generous of our dignity as well as of our money. Greatness once and
for ever has done with opinion. We tell our charities, not because we
wish to be praised for them, not because we think they have great
merit, but for our justification. It is a capital blunder; as you
discover when another man recites his charities.
To speak the truth, even with some
austerity, to live with some rigor of temperance, or some extremes of
generosity, seems to be an asceticism which common good nature would
appoint to those who are at ease and in plenty, in sign that they
feel a brotherhood with the great multitude of suffering men. And not
only need we breathe and exercise the soul by assuming the penalties
of abstinence, of debt, of solitude, of unpopularity, but it behooves
the wise man to look with a bold eye into those rarer dangers which
sometimes invade men, and to familiarize himself with disgusting
forms of disease, with sounds of execration, and the vision of
violent death.
Times of heroism are generally times
of terror, but the day never shines in which this element may not
work. The circumstances of man, we say, are historically somewhat
better in this country and at this hour than perhaps ever before.
More freedom exists for culture. It will not now run against an axe
at the first step out of the beaten track of opinion. But whoso is
heroic will always find crises to try his edge. Human virtue demands
her champions and martyrs, and the trial of persecution always
proceeds. It is but the other day that the brave Lovejoy gave his
breast to the bullets of a mob, for the rights of free speech and
opinion, and died when it was better not to live.
I see not any road of perfect peace
which a man can walk, but to take counsel of his own bosom. Let him
quit too much association, let him go home much, and establish
himself in those courses he approves. The unremitting retention of
simple and high sentiments in obscure duties is hardening the
character to that temper which will work with honor, if need be in
the tumult, or on the scaffold. Whatever outrages have happened to
men may befall a man again: and very easily in a republic, if there
appear any signs of a decay of religion. Coarse slander, fire, tar
and feathers and the gibbet, the youth may freely bring home to his
mind and with what sweetness of temper he can, and inquire how fast
he can fix his sense of duty, braving such penalties, whenever it may
please the next newspaper and a sufficient number of his neighbors to
pronounce his opinions incendiary.
It may calm the apprehension of
calamity in the most susceptible heart to see how quick a bound
Nature has set to the utmost infliction of malice. We rapidly
approach a brink over which no enemy can follow us.
Let
them rave:
Thou art quiet in thy
grave.
In the gloom of our ignorance of what shall be, in
the hour when we are deaf to the higher voices, who does not envy
them who have seen safely to an end their manful endeavor? Who that
sees the meanness of our politics but inly congratulates Washington
that he is long already wrapped in his shroud, and for ever safe;
that he was laid sweet in his grave, the hope of humanity not yet
subjugated in him? Who does not sometimes envy the good and brave who
are no more to suffer from the tumults of the natural world, and
await with curious complacency the speedy term of his own
conversation with finite nature? And yet the love that will be
annihilated sooner than treacherous has already made death
impossible, and affirms itself no mortal but a native of the deeps of
absolute and inextinguishable being.
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