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Benvenuto Cellini |
Benvenuto
Cellini (1500–1571). Autobiography.
Vol. 31, pp. 23-35 of
The Harvard Classics
Kings, emperors, the
greatest artists and sculptors of the Renaissance at its most
magnificent period, walk through the pages of his autobiography - not
as cold, austere, historical characters but as the intimate friends
of Cellini.
XIII
NOW let
us return to Piero Torrigiani, who, with my drawing in his hand,
spoke as follows: “This Buonarroti and I used, when we were boys,
to go into the Church of the Carmine, to learn drawing from the
chapel of Masaccio. 1 It was Buonarroti’s
habit to banter all who were drawing there; and one day, among
others, when he was annoying me, I got more angry than usual, and
clenching my fist, gave him such a blow on the nose, that I felt bone
and cartilage go down like biscuit beneath my knuckles; and this mark
of mine he will carry with him to the grave.” 2 These
words begat in me such hatred of the man, since I was always gazing
at the masterpieces of the divine Michel Agnolo, that although I felt
a wish to go with him to England, I now could never bear the sight of
him.